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Yesterday, Today and Tomorrow (Italian: Ieri, oggi, domani), directed by Vittorio De Sica and released in 1963, is a triptych of comedic-dramatic vignettes that showcase De Sica’s humane eye, the chameleonic range of Sophia Loren, and the commanding presence of Marcello Mastroianni. Winner of the Academy Award for Best Foreign Language Film, the film blends social commentary, romantic entanglement, and bittersweet humor across three episodes set in different Italian locales: Naples, Milan, and Rome. Through its episodic structure, De Sica examines changing social mores in postwar Italy, particularly the tensions between tradition and modernity, class divisions, and the role of women.
The film is divided into three distinct segments, each named after the character played by Sophia Loren, set in different Italian cities to explore varying social classes:
The first segment is perhaps the most famous. It tells the story of Adelina, a black-market cigarette seller in Naples. Faced with prison time for unpaid fines, she discovers a legal loophole: pregnant women cannot be incarcerated. What follows is a comedic yet desperate cycle of continuous pregnancy to avoid jail. This segment is a masterclass in blending tragedy with comedy. It highlights the poverty and ingenuity of the Neapolitan lower class, critiquing a bureaucratic system that is both rigid and absurd. Sophia Loren’s performance is raw and vibrant, capturing the resilience of women in post-war Italy. fylm yesterday today and tomorrow 1963 mtrjm bjwdt alyt
: The film showcases the peak of the Loren-Mastroianni partnership, highlighting their incredible range from slapstick comedy to sophisticated drama.
Fun fact: In the Neapolitan episode, the famous striptease was reportedly unscripted. Loren improvised, and Mastroianni’s stunned reaction is genuine. The scene was censored in several countries, including Spain and Portugal, until the 1970s. Yesterday, Today and Tomorrow (Italian: Ieri, oggi, domani),
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One of the most striking aspects of "Yesterday, Today and Tomorrow" is its portrayal of women and their roles in society. Sophia Loren's characters, in particular, serve as powerful symbols of female agency, resilience, and the quest for identity. The film is divided into three distinct segments,
Mara is a glamorous, high-class prostitute, who services a roster of wealthy regulars, including a neurotic industrialist's son named Augusto. One day, she befriends her handsome, young neighbor, Umberto, who is studying for the priesthood. When his grandmother discovers Mara's profession, she is scandalized, especially after learning Umberto is infatuated and willing to give up his calling. To help the family, Mara takes on the challenge of steering Umberto back to the seminary, promising Augusto a reward of a private striptease.