If you are the original creator, please consider re-uploading to the Internet Archive with those exact keywords for future net archaeologists.
Because the creator has used DMCA takedowns to scrub it from mainstream platforms, finding it on sites like the Internet Archive
Looking back at this specific era of media through the Wayback Machine or the Archive’s video repository reveals a stark contrast with today’s internet landscape. Today, platforms like TikTok use highly sophisticated algorithms to deliver clean, optimized, and heavily monetized short-form videos. The chaos is controlled; the trends are engineered.
To the uninitiated, this phrase reads like an algorithmic fever dream or a string of random, offensive buzzwords. However, to digital archaeologists and those who lived through the golden age of user-generated content, these terms trace a direct line through YouTube remix culture, the gross-out humor of the Adobe Flash era, and the preservation efforts keeping this bizarre history alive.
You remember the (2013, everyone in an office, one person dancing like a wacky inflatable tube man)? Now mix that with poop humor (because it was the golden age of YouTube poop). Add Steezy Grossman — the bizarre, deadpan, green-screen legend from the "Steezy Grossman Show" who reviewed fake movies and whispered into a soda can mic.
Lost Media Unearthed: The Harlem Shake / Poop / Steezy Grossman Internet Archive Deep Dive
Following the discovery, Stevin John issued an apology, calling the video "stupid and tasteless" and expressing deep regret for his younger self's actions. He quickly moved to erase the video from the public eye, employing several strategies:
in 2019. John issued an apology, calling the video "stupid and tasteless" and expressing regret. Internet Archive & Availability
The collection hosted on the Internet Archive serves as a digital time capsule for a very specific, chaotic era of the internet. At its core, the content is a frantic remix of the —the 2013 viral phenomenon characterized by a sudden jump-cut to a room full of people dancing wildly in costumes. However, this isn't a standard compilation; it is filtered through the lens of Steezy Grossman , a creator known for surreal, abrasive, and "gross-out" humor.
When the bass drops (marked by the lyric "con los terroristas" ), the video cuts to the entire room dancing in chaotic, often absurd costumes.
What makes this video "good" for archivists is the sheer contrast between this "Steezy Grossman" persona and the high-energy, educational Blippi character that followed. It’s a fascinating example of how a creator can completely reinvent their brand. The Archive Factor:
