The 'Portraits of 'Jennie' ' collection was published in . Its creation was driven by a specific external event: the impending enforcement of Japan's Child Prostitution and Child Pornography Law . This legal change would effectively ban the production and distribution of this type of material. Rikitake created the 7-volume set as a kind of "definitive collection" or "greatest hits" of his work, hoping to preserve it before it became illegal.
If you are looking to research further into this era of photography, would you like to explore the , or look into the complete bibliography of model Rika Nishimura ? Share public link
(young girl) photography trend in Japan. His work often uses high-key lighting and delicate framing to create a dreamlike, ethereal atmosphere. Technical Details (Volume 2)
After Japan enacted the "Law for Punishing Acts Related to Child Prostitution and Child Pornography and for Protecting Children" in 1999, most of Rikitake's early work, including this series, went out of print. Modern Availability and Legacy
The user's search query appended the number "108" to the photographer's name: "rikitake108". This is a fascinating error or variant. The number 108 is highly significant in Japanese Buddhism, representing the number of earthly desires that cause suffering and the number of times the temple bells are rung on New Year's Eve to purify them. It is also associated with the Enmusubi, or divine matchmaking. It is possible that the original searcher conflated the photographer's name with the number of the famous manga and anime series "Katekyo Hitman Reborn!", whose protagonist is Tsunayoshi "Tsuna" Sawada, and whose name is associated with the number 27, not 108. Another possibility is a simple typo where "10.8" or a similar code was appended. The meaning remains elusive, but the search for "rikitake108" leads directly to the seven-volume work in question.
For Yasushi Rikitake, the "Jennies" in his title represent the he photographed throughout the 1980s and 1990s. Like the ghost-like figure in the novel, these models were captured in an ephemeral state of innocence and transitioning youth. Rikitake viewed his photography collections not merely as commercial erotica, but as literal sketchbooks keeping a permanent record of individuals who would inevitably grow up, retire, and fade from the public eye. Historical Context: The Pre-1999 Japanese Media Landscape
Whether you are a historian of Japanese pop culture, a film photography enthusiast, or a vintage book collector, Portraits of Jennie by Yasushi Rikitake remains a masterclass in atmospheric portraiture.
Each volume is an all-color, large-format publication containing 160 pages. At 5,000 yen per volume, it was a luxury item, but it was in high demand among collectors who recognized it as a final, major release. The "Portraits of 'Jennie'" can be seen in greater detail on its Japanese Wikipedia page.
Yasushi Rikitake is a Japanese photographer known primarily for his extensive work in portraiture and adult-themed photography. His project, Portraits of Jennie , is a multi-volume series that translates the ethereal and haunting themes of Nathan’s original story into a modern photographic medium.
Rikitake debuted as part of omnibus photography projects such as Lolita Sisters (1983) and Lolita Friends (1984). During this era, soft-focus, romanticized, and sometimes explicitly provocative images of teenage and sub-teenage models were widely distributed through mainstream bookstores.
For researchers and academics, access is often restricted to university libraries with special collections or to physical archives that hold a copy for historical study. The National Diet Library in Japan may have copies, but access is strictly controlled. The fate of Portraits of 'Jennie' is a perfect illustration of how legal changes can render a once-legal publication a criminal object. The series now exists as a rumor, a legend, a taboo object that is more discussed than seen.
Modern photographers look to Rikitake's 1996 work to replicate authentic film tones and vintage grain.
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